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A SUBTLE TALE OF DOMESTIC VIOLENCE AND HEALING, PRESENTING A HUMAN APPROACH TO A DELICATE SUBJECT AND A SOURCE OF HOPE.

The boys who have been damaged [Les Abîmés] are two brothers persecuted by their violent father. After months in a children’s home, Ludo and P’tit Lu went back to the family home, but the situation was no better and their mother could not do anything about it. Child welfare workers took P’tit Lu again, but Ludo ran away. Nora, a youth worker, taught P’tit Lu how to sew. Ludo’s best friend Faïza taught him to play the piano.
In shades of blue as the dominant color, the two brothers on stage are now adults looking back at their childhood and their sometimes vague recollections. The actors are very close to the audience and mix narrative and dialogue to tell their story, a story focusing on the human side of the characters, of the two brothers forming a duo in an intense relationship, and also highlights the kindness of the two girls extending a helping hand. As Catherine Verlaguet shows in the magnificent text, it is possible for light to make its way through crevices and flaws.

Maïa Bouteillet

Duration
01:10
Price
From €8 to €16
Schedules
10:00, 14:30, 15:00, 19:00
8 years and older

LE BEL APRÈS-MINUIT

Text Catherine Verlaguet Direction Bénédicte Guichardon Direction assistant Damien Saugeon Scenography & costumes Aurélie Thomas Sound design Maxime Tavard

With Nathan Chouchana, Julien Despont, Constance Guiouillier, Marion Träger

Production Le bel après-minuit. Coproduction La Filature scène nationale de Mulhouse – Les Tréteaux de France, centre dramatique national, Aubervilliers – Côté cour, Besançon - Théâtre André Malraux – Chevilly-Larue – les villes de La Norville, Saint-Germain-lès-Arpajon et Arpajon dans le cadre de la résidence triennale, avec le soutien financier de la DRAC et du département de l’Essonne. With support from région Île-de-France – département du Val-de-Marne – DRAC Île-de-France.

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